Life, like science and art, is a theory about the world: a theory that in our case takes b

Life, like science and art, is a theory about the world: a theory that in our case takes bodily form. By a succession of adaptations, most of which are favourable and none of which are lethal, living things have invested in particular expectations about the future course of their environments. If those theories are good enough, then life will prosper and multiply; but if they are outmoded by changing conditions, their embodiments will dwindle and perish. Science and art are two things most uniquely human. They witness to a desire to see beyond the seen. They display the crowning successes of the objective and subjective views of the world. But while they spring from a shared source—the careful observation of things—they evoke different theories about the world; what it means, what its inner connections truly are, and what we should judge as important. Science and art have diverged. As science became more successful in its quest to explain the seen by unseen laws of Nature, so art became increasingly subjective, metaphorical, and divorced from realistic representation.

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